Shaun Leane Biography
Shaun Leane is a British jewelry designer best recognized for the sculptural pieces he produced for Alexander McQueen. His eponymous jewelry firm has won the UK Jewellery Designer of the Year award four times.
How old is Shaun Leane? – Age
He is 54 years old as of 8 July 2023. He was born in 1969 in Finsbury Park, London.
Shaun Leane Family – Education
Leane was born and raised in Finsbury Park, London, the only child of an Irish father and an English mother. His father worked in construction, while his mother, Diane, was a mental health caretaker. Leane went to St. Aidan’s Primary School in Finsbury Park before moving on to St Thomas More RC for secondary education.
Leane left school at 14 to work for his father’s construction company. Leane enrolled in a youth training project for jewellery creation at Kingsway Princeton College of Further Education in Clerkenwell after a fortuitous meeting with a career advisor when she was 15 years old. The college course was metals, which included sculpture and jewelry.
Shaun Leane Net Worth
He has an estimated net worth of $5million.
Shaun Leane Monograph
In 2020, Leane collaborated with AAC Art Books to publish a monograph. The book is a retrospective that explores Leane’s partnership with McQueen through Ann Ray’s collection of backstage photographs. Other important contributions include Nick Knight’s editorial shots, as well as catwalk and backstage images captured by fashion photographers Robert Fairer and Chris Moore. There are also writings on Leane’s heritage and skill, collaborations with McQueen, and recent jewellery pieces.
Shaun Leane Jewellery
In 1998, a Harvey Nichols buyer approached Leane about stocking his debut collection. This led to Leane creating his first commercial collections, which incorporated themes from his work with McQueen. In 1999, Leane established Shaun Leane Jewellery, a firm that produces jewelry collections alongside his large-scale fashion works, mixing traditional craftsmanship with modern design and computer-aided design processes. Sotheby’s classified his jewelry as “antiques of the future.” Leane’s designs are available online and in stores in the UK, Europe, the Middle East, and the United States.
Leane has collaborated with Givenchy, Boucheron, De Beers, Bacardi, and Clé de Peau Beauté. Shaun Leane Jewellery has been included to the permanent collections of the Metropolitan Museum of Art in New York and the Victoria & Albert Museum in London. His jewelry has been worn by Björk, Daphne Guinness, Sam Taylor-Johnson, Elton John, Emma Watson, Kate Moss, Sarah Jessica Parker, and Hassanal Bolkiah.
Shaun Leane Rings
Leane began collaborating with jewellery house Asprey in 2011 on three new collections, which were released in May 2012: The Woodland Collection, a series of nature-inspired fine charm jewellery, The Fern Collection, a series of emerald, diamond, and platinum rings, earrings, and necklaces inspired by ferns, and The Storm Collection, which featured a vortex of diamonds on delicate gold wire. Kate Middleton, Duchess of Cambridge, wore a charm necklace from the Woodland Collection.
Shaun Leane Career
In the English Conventional Gems studio, Leane was guided by Brian Joslin and Richard Bullock and took in the disciplines of the art, progressing from copper to gold in a half year. Goldsmithing abilities Leane acquired during his apprenticeship included making multifaceted, composite fastenings; complex setting strategies, for example, undetectable settings which hold square cut jewels set up; and rebuilding of period pieces with intense scrupulousness and spotlight on saving their excellence from the back as well as front. Leane likewise fixed and reestablished antique gems for sellers at Grays Collectibles in Mayfair, Bermondsey Square Market and other secondhand stores shops.
At 18 years of age, Leane was making precious stone headdresses for London’s esteemed houses, including Mappin and Webb, Garrard and Asprey. His clients incorporated the English regal family. In 1992, a year in the wake of finishing his apprenticeship, a companion acquainted Leane with Alexander McQueen, who was then learning at Focal Holy person Martins School of Workmanship and Plan. The following year, McQueen requested that Leane make Victorian-style silver dandy watch chains for his show, High country Assault. Leane needed to train himself new methods to make the enormous finale pieces for McQueen’s shows.
Leane was before long dealing with eight shows per year for McQueen and Givenchy. His plans for McQueen went from little gems in the early shows to bigger and more vanguard plans, for example, a spine skeleton bodice for the Spring/Summer 1998 show Untitled. His 1996 mouthpiece, named Constraint, was initially made for the 1997 McQueen Fall Winter assortment, and picked by Isabella Blow as a feature of a gathering of pieces of clothing chose to address designs of 1997 in the Style Gallery, Shower’s Dress of the Year assortment.
Leane worked with McQueen on a neckpiece, roused by the neckpieces worn by the Ndebele ladies of South Africa, for McQueen’s “It’s a Wilderness out There” assortment in 1997. It was worn by Björk on the front of her 1997 collection Homogenic. In the wake of making that part, McQueen inquired as to whether he could make a comparable part of fit the whole middle, and for McQueen’s Pre-winter/Winter 1999 catwalk show, The Ignore, Leane made the Wound Undergarment, a structure encasing bodice made from loops of aluminum. Craftsman Kees van der Graaf made a substantial cast of the group of model Laura Morgan, around which Leane made a metal girdle. Leane has called the piece his feature in working with McQueen, and his most difficult venture. He went through 16 hours every day for a long time making it.
For the Spring/Summer 2000 show, Eye, Leane made a yashmak produced using chainmail. For the 2001 Fall/Winter demonstrate What a Carousel, Leane trained himself taxidermy to make hoops of bird paws gripping Tahitian pearls. Afterward, Leane made star and moon hats for the Pre-winter/Winter 2007 show, In Memory of Elizabeth Howe, Salem, 1692, propelled by classical rare Victorian ornaments yet intended to be worn as crowns. Leane and McQueen cooperated until McQueen’s passing in 2010. Leane gave a location at the commemoration administration for McQueen on 20 September 2010. A determination of more than 30 pieces Leane made with McQueen were highlighted in the Alexander McQueen: Savage Excellence presentation at the Metropolitan Historical center of Craftsmanship in New York in 2011, later restaged at the Victoria and Albert Gallery in London in 2015.
Leane worked together with Boucheron on a jewelry for the name’s 150th commemoration in 2008. The ‘Sovereign of The Night’ neckband has fragile, darkened gold blossoms set with white and earthy colored jewels and sapphires, which can open and close with stowed away fastens. It was disclosed at a party at the Boucheron store in Mayfair, London.
Leane was dispatched by Daphne Guinness to make the Contra Mundum, otherwise called The Precious stone Glove, a hand-created evening glove made from 1,000 grams of 18-carat white gold and set with 5,000 clear white jewels. The Glove was introduced by Jay Jopling in its presentation at a confidential party in London in 2011. It took Leane five years to make.
In 2014, SHOWstudio introduced SHOWcabinet, the primary significant presentation of Leane’s work. It was held in exhibition space claimed by picture taker Scratch Knight in 2014. Leane worked with Austrian cut lead glass maker Atelier Swarovski to make the 2015 nine-piece gems assortment Quick.
In 2016 Leane was dispatched by Grainger Plc in a joint effort with Futurecity to plan the gallery railings and doors across the façade of 21 Youthful Road – a London private improvement in Kensington, planned by Assael Design. This was Leane’s presentation into the engineering and public domain and one of the biggest scale commissions in the UK by a gems creator. Disclosed in July 2018, Arbor comprises of 36 gallery railings and two entryways cast in phosphor bronze by English metalwork foundry Chris Brammall. Including 1,850 bronze etched leaves and three-layered branches, the whole piece weighs north of four tons. The structure’s façade is roused by adjoining Kensington Square and the plant life of the confidential nursery. A repeat of the overhang is on long-lasting showcase in the metalwork display at the V&A Exhibition hall.
On 4 December 2017, Leane’s own chronicle of couture adornments was presented available to be purchased by Sotheby’s New York related to Kerry Taylor Sales. A few of the pieces had showed up in The Metropolitan Gallery of Craftsmanship and the Victoria and Albert in their reviews of Leane’s work. Eminent pieces from the deal incorporated the Skeleton Bodice planned by Leane for McQueen’s ‘Untitled’ assortment, Spring-Summer 1998 and the Curled Undergarment from ‘The Ignore’ assortment, Pre Winter 1999-2000. The Curled Bodice, the main piece endorsed by both Leane and McQueen, was sold for $807,000, while the Skeleton Undergarment was sold for $711,000 in the closeout.